I cannot say how strongly I object to people using other people’s writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people’s fiction. Just don’t.

There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition.

Facts are the air of scientists. Without them you can never fly.

When I was younger I wanted to be a big movie star who’d get to be funny on talk shows and then I wanted to retire and write science fiction.

I was born in 1950 and watched science fiction and horror movies on TV and was always really fascinated by them.

Equipped with his five senses, man explores the universe around him and calls the adventure Science.

Millions of people were inspired by the Apollo Program. I was five years old when I watched Apollo 11 unfold on television, and without any doubt it was a big contributor to my passions for science, engineering, and exploration.

I’ve started a company, called Tall Girl Productions, and we’ve got our first project that is purely producing, not writing, with a writer named Evan Daugherty. It’s for NBC, it’s called ‘Afterthought,’ and it’s science fiction-ish. That’s fun.

Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development – an insight came from that book.

Whenever you deal with science fiction you are setting up a world of rules. I think you work hard to establish the rules. And you also have to work even harder to maintain those rules, and within that find excitement and unpredictability and all that stuff.