My idea of a romantic night is to watch action films.

The thing you can’t let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn’t a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life.

I’ve often dreamed about going back to Nigeria, but that’s a very romantic notion. It’s a hideous country to go to in reality.

You’re an actor, are you? Well, all that means is: you are irresponsible, irrational, romantic, and incapable of handling an adult emotion or a universal concept without first reducing it to something personal, material, sensational – and probably sexual!

I lived by the candlelight for two years because I couldn’t afford power. It was nice and romantic at the time, but if you can’t afford power you’re pretty broke. You endure it.

I’m getting a lot of uninteresting romantic lead guys that look good and fall in love sort of garbage.

And even Moonstruck – for some reason the audience were just in the mood for a very romantic film, because it’s one of the few romantic comedies to be nominated for a Best Picture Oscar.

As a kid I quite fancied the romantic, Bohemian idea of being an artist. I expect I thought I could escape from the difficulties of maths and spelling. Maybe I thought I would avoid the judgement of the establishment.

In real love you want the other person’s good. In romantic love, you want the other person.